G.R. No. 222537, February 28, 2023,

♦ Decision,

Hernando, [J]

♦ Separate Concurring Opinion,

Leonen, [J]

♦ Separate Concurring Opinion,

Caguioa, [J]

♦ Concurring Opinion,

Lazaro-Javier, [J]

♦ Separate Concurring Opinion,

Zalameda, [J]

EN BANC

[ G.R. No. 222537. February 28, 2023 ]

COSAC, INC., PETITIONER, VS. FILIPINO SOCIETY OF COMPOSERS, AUTHORS AND PUBLISHERS, INC., RESPONDENT.

CONCURRENCE

LAZARO-JAVIER,

J.:

Every civil case generally follows

two sequential stages

–

liability

and

relief.

These stages are in reality the

elements constituting a cause of action

–

right, violation of this right,

and

relief.

At times, trials are

bifurcated

to first settle the

issue of liability

before hearing evidence on the

appropriate relief.

Here, I agree with the

ponencia

that petitioner COSAC, Inc. is

liable for infringing the copyright

of respondent's principals – the first two constituent elements of its cause of action, its

right

and petitioner's

violation

of this right. There is no question that without the requisite license from respondent, COSAC may not play or perform copyrighted music –

i.e.,

through a live band or recorded music, otherwise, it would be infringing Republic Act No. 8293.

I also laud the ponente for his comprehensive discussion on the grant of temperate damages, in lieu of the actual damages prayed for by FILSCAP. As aptly noted, FILSCAP "did not present sufficient evidence to prove the amount claimed and the basis to measure actual damage."

To recall, the courts below

appear to have based

the

amount of damages

awarded on

the following matrix

presented by one of respondent's witnesses, thus:

Since Off the Grill is considered as a bar, Gaite stated that the royalty fees should be computed as follows:

For lounges/ Bars/ Pubs (Where Dancing is not allowed)

Live & Mechanical Royalty Rate / Day

Mechanical Only Royalty Rate / Day

Maximum Accommodation Capacity

100 persons or less

₱ 100.00

₱ 45.00

More than 100 persons, but less than 300 persons

₱ 120.00

₱ 65.00

300 persons or more, but less than 500 persons

₱ 145.00

₱ 90.00

500 persons or more

₱ 170.00

₱ 105.00

The specific amounts of damages are

not

categorized,

to wit:

a) Php317,050.00 as damages for unpaid license fees/royalties... with interest at the rate of six percent (6%)

per annum

reckoned from the date of the filing of the complaint, February 13, 2006, until the same is fully paid; and b) Php52,003.47 as reasonable attorney's fees and litigation expenses plus costs of suit....

I assume, however, that these damages are

actual damages

under the Civil Code based on respondent's

matrix.

A secondary source in the United States,

which I find helpful to spur discussion on the issue of damages, summarizes the purpose of an award of a copyright owner's

actual damages

– "to compensate the owner for losses attributable to the infringement" – and the purposes of an

award of the profits the infringer received

from the infringement, "to prevent unjust enrichment of the infringer and to deter wrongful activity." It also mentions a

limit

to the items that may be included as

actual damages

–

Similarly, a copyright owner

cannot recover both his own lost profits on sales the owner would have made to the infringer

and also

the value to the infringer of the use of the copyright by the infringer,

even though they are both measures of actual damages, since this recovery would double-count the same economic transaction. Normally the owner recovers the larger of the two amounts, or all of one and so much of the other as is not included in the one.

This secondary source clarifies that a "copyright owner's actual damages are usually calculated by

assessing lost profits.

" The same secondary source

intuitively

cautions that "[t]he court recognized that in cases of this kind, lost sales and their resultant lost profit may be based upon opinion and probable estimate, but it added that

a finding that the infringer has unlawfully taken sales from the copyright owner has to be based upon something other than conjecture."

This source also states that "[e]vidence offered to prove the value of a copyrighted item must be both

material and relevant."

I think this statement echoes an analogous ring to our own statement of the law on

actual damages.

I refer to these

guiding principles

because I find it

conjectural

to peg the value of

actual damages

on these categories:

"lounges/bars/pubs;" whether dancing is not allowed; "live and mechanical"

"mechanical"

only; and the

venue's "maximum accommodation capacity."

I do not think that

everyone

in the audience would love to hear the songs in respondent's repertoire of songs. Or that

everyone

went to petitioner's bar

for the songs

in respondent's list of copyrighted music.

Not everyone

seeks a seat in the bar for the songs being performed by the bands or the videos being played when the bands are segueing to their next sets. Some would go to a bar not for anything else

but

only for

the opportunity to be together,

especially before the pandemic.

Unless clearly established and articulated,

the categories in respondent's matrix have

nothing to do

with the

losses

of the copyright owner and the

profits and expenses

constituting the profits received by the infringer.

Instead of the matrix

referred to by the courts below, we could heed this advice –

To establish the

amount of lost profits,

the copyright owner may

present evidence

what the estimated sales of the copyrighted item would have been in the absence of the infringement.

Attempting to estimate

what sales the copyright owner would have made in the absence of an infringement,

however, is

inherently speculative.

In addition, if a copyright owner is claiming actual damages based on lost profits, the owner will have to

provide more than proof of the estimated lost sales revenue,

since a

loss of revenue is not the same thing as a loss of profits.

If the copyright owner contends that lost sales revenue would have been all profit, the contention is

sufficiently improbable

to require substantiating evidence, for it implies that the owner could have made all the lost sales at zero cost. Also, if the copyright owner's actual sales were reduced because of the infringement, then the copyright owner's costs may have been reduced as well; in the computation of the copyright owner's lost profits, this

cost savings is a gain that has to be offset against the loss of revenues.

The process of

arriving at

the amount of damages suffered gets

even more complicated.

1aшphi1

For instance:

The

amount of the infringer's actual sales of the infringing item

may be indicative of the amount of sales the copyright owner would have made in the absence of the infringement. When a copyright owner seeks to prove the amount of his lost profits by presenting

evidence of the infringer's actual sales of the infringing item, the owner's claim is often challenged as too speculative on the ground that the copyright owner might not have sold copyrighted items to every customer who purchased an infringing item, perhaps because the copyright owner's price for the item was higher than the infringer's price.

To show that if there had been no infringement the copyright owner would have made the same volume of sales as the infringer actually made, so as to constitute a permissible basis for an award of damages,

the copyright owner must show that the items were of substantially similar quality, sold at substantially similar prices, and sold in a substantially similar market.

The secondary source I have copiously referenced is 88-page long in letter size, in Times New Roman, font size 10, and with .75-inch margins.

My point

is that the legal concept of

actual damages

and

profits

so complicated

to be

left undiscussed at all.

Indeed, if the award of damages is based on respondent's

matrix,

we could be doing

injustice

to the scheme in Republic Act No. 8293 which lays down what can and cannot be awarded. In fine, there is a need to

operationalize

and

explain

actual cases

the provisions on damages that may be awarded to copyright owners. In short, we

cannot take for granted the basis for setting in exact pesos and centavos

what petitioner owes to respondent, without first

articulating the clear basis for this award.

ACI Philippines, Inc. v. Coquia

forewarned that claims for actual damages in cases of infringement should be examined with

extreme caution.

In determining actual damages, the Court cannot rely on mere assertions, speculations, conjectures or guesswork but must depend on

competent proof and on the best evidence

obtainable regarding the

actual amount of loss.

To reiterate, respondent's matrix is certainly insufficient to justify the award of actual damages in this case. For the exact amount of loss or damages cannot be based on the number of persons going in and out of Off the Grill Bar and Restaurant every night, especially in the absence of evidence that the customers go to Off the Grill

specifically

to listen to the subject copyrighted songs. It should also be remembered that FILSCAP presented proof of COSAC's acts of infringement on two dates only: February 3, 2005 and January 13, 2006. Surely, we cannot extrapolate the amount of damages based on this very small sample size. In other words, FILSCAP utterly failed to prove the actual amount of damages it had suffered.

Sambar v. Levi Strauss & Co., et al.,

the Court clarified that the fact that there was infringement meant that there were losses. But

when the exact amount of damage or loss could not be determined,

the award of

temperate damages

should be imposed instead. There, the Court awarded PHP 50,000.00 in favor of private respondents Levi Strauss & Company and Levi Strauss (Phil.), Inc. considering the attendant circumstances of the case as well as the global coverage and reputation of private respondents.

The US case of

Morley Music Co. v. Cafe Continental, Inc.

which shares a similar factual milieu with the present case is also illuminating.

1aшphi1

There, plaintiff's were owners of copyrights of certain musical compositions and were members of American Society of Composers, Authors and Publishers (ASCAP) to which they granted non-exclusive right to license non-dramatic public performances of their works. ASCAP discovered though that therein plaintiff's musical compositions were being publicly performed at defendant Café Continental,

sans

the requisite license. The court found Café Continental liable for copyright infringement. In lieu of actual damages, the Court awarded

statutory damages,

which bears semblance to

temperate damages

in our jurisdiction, taking into account the following factors:

(1) the expenses saved and profits reaped by the defendant in connection with the infringements;

(2) the revenues lost by plaintiff's as a result of the defendant's conduct; and

(3) the infringers' state of mind, that is, whether willful, knowing, or merely innocent.

Indeed, the award of actual damages is not the only relief which the courts may grant in cases of copyright infringement. The

relevant provisions of Republic Act No. 8293,

as amended read:

SECTION 216. Infringement. — A person infringes a right protected under this Act when one:

....

(b) Benefits from the infringing activity of another person who commits an infringement if the person benefiting has been given notice of the infringing activity and has the right and ability to control the activities of the other person;

(c) With knowledge of infringing activity, induces, causes or materially contributes to the infringing conduct of another.

SECTION 216.1 Remedies for Infringement. — Any person infringing a right protected under this law shall be liable:

....

(b) To pay to the copyright proprietor or his assigns or heirs such

actual damages,

including

legal costs and other expenses,

as he may have

incurred due to the infringement

as well as the

profits

the infringer may

have made due to such infringement,

and in

proving profits

the plaintiff shall be required to prove

sales only and

the defendant shall be required to

prove every element of cost

which he claims, or,

in lieu of actual damages and profits,

such

damages

which to the court shall appear to be

just

and shall not be regarded as penalty:

Provided,

That the amount of damages to be awarded shall be doubled against any person who:

(i) Circumvents effective technological measures; or

(ii) Having reasonable grounds to know that it will induce, enable, facilitate or conceal the infringement, remove or alter any electronic rights management information from a copy of a work, sound recording, or fixation of a performance, or distribute, import for distribution, broadcast, or communicate to the public works or copies of works without authority, knowing that electronic rights management information has been removed or altered without authority.

....

(e) Such other terms and conditions, including the payment of moral and exemplary damages, which the court may deem proper, wise and equitable and the destruction of infringing copies of the work even in the event of acquittal in a criminal case.

The copyright owner

may elect,

at any time before final judgment is rendered, to recover

instead of actual damages and profits,

an award of

statutory damages

for all infringements involved in an action in a sum equivalent to the filing fee of the infringement action but not less than Fifty thousand pesos (Php50,000.00). In awarding

statutory damages,

the court may consider the

following factors:

(1) The nature and purpose of the infringing act;

(2) The flagrancy of the infringement;

(3) Whether the defendant acted in bad faith;

(4) The need for deterrence;

(5) Any loss that the plaintiff has suffered or is likely to suffer by reason of the infringement; and

(6) Any benefit shown to have accrued to the defendant by reason of the infringement.

In case the infringer was

not aware and had no reason to believe that his acts constitute an infringement

of copyright, the court in its discretion may

reduce the award of statutory damages

to a sum of not more than Ten thousand pesos (Php10,000.00):

Provided,

That the amount of damages to be awarded shall be doubled against any person who:

(i) Circumvents effective technological measures; or

....

Verily, the complications of proving

actual damages

and

profits

are avoided altogether by seeking

just damages

(thus, RA 8293 states "

in lieu of actual damages and profits

") or

statutory damages

(only if, as RA 8293 clearly imposes, the copyright owner "elect[s],

at any time before final judgment is rendered, to recover instead of actual damages and profits, an award of statutory damages"

). The learned ponente has painstakingly explored the grant of "just damages" akin to temperate damages. Indeed, even if FILSCAP failed to substantiate its entitlement to actual damages, damages which appear to be just may be awarded to address a claim of pecuniary loss. As it was, FILSCAP suffered pecuniary loss when COSAC did not pay the license fees before it allowed the public performance of copyrighted music at Off the Grill. I, therefore, agree with the award of temperate damages in the amount of PHP 300,000.00 pursuant to Section 216.1 (b) of Republic Act No. 8293.

ACCORDINGLY,

I vote for the denial of the petition, and the grant of PHP 300,000 as temperate damages in favor of FILSCAP.

Respectfully submitted.

Footnotes

50 Am. Jur. Proof of Facts 2d 263 (Originally published in 1988).

Id.

580 Phil. 275, 287 (2008) [Per J. Tinga, Second Division].

See

Smith Kline Beckman Corp. v. Court of Appeals,

456 Phil. 213-226 (2003) [Per J. Carpio Morales, Third Division].

428 Phil. 425-437 (2002) [Per J. Quisumbing, Second Division].

Article 2224. Temperate or moderate damages, which are more than nominal but less than compensatory damages, may be recovered when the court finds that some pecuniary loss has been suffered but its amount cannot, from the nature of the case, be provided with certainty.

Case No. 91-6019-CIV, November 4, 1991.

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